Sweet Rain
Water mixed with saccharin (sweetener), Watering system installed on the eaves
Dimensions variable, 2010
Sweet Rain
Water mixed with saccharin (sweetener), Watering system installed on the eaves
Dimensions variable, 2010
Sweet Rain
Water mixed with saccharin (sweetener), Watering system installed on the eaves
Dimensions variable, 2010

Water mixed with saccharin (sweetener), Watering system installed on the eaves
Dimensions variable, 2010
Sweet Rain
Water mixed with saccharin (sweetener), Watering system installed on the eaves
Dimensions variable, 2010
Sweet Rain
Water mixed with saccharin (sweetener), Watering system installed on the eaves
Dimensions variable, 2010

Sweet Rain
Water mixed with saccharin (sweetener), Watering system installed on the eaves
Dimensions variable, 2010
Sweet Rain
Water mixed with saccharin (sweetener), Watering system installed on the eaves
Dimensions variable, 2010
Sweet Rain
Water mixed with saccharin (sweetener), Watering system installed on the eaves
Dimensions variable, 2010
Sweet Rain (2010) is a project that makes the abstract in danbi (‘sweet rain’) concrete. The sweet rain that falls in the basement exhibition hall of Insa Art Space is sweetened with the artificial sweetener saccharin. Viewers can borrow, from the first floor, a raincoat and an umbrella before they can get sweet-rained on and taste the sweetness to their heart’s content. In reality, sweet rain is not actually sweet; instead, it refers to the right amount of rain at right time, as illustrated by the phrase “sweet rain after a drought.” However, upon hearing the word ‘sweet rain’, most of us probably have had the experience of recalling the taste of sweetness even as we think of its intended meaning. The adjective ‘sweet’, in fact, has multiple meanings; it can refer to the taste of sugar or to something that is satisfactory and therefore pleasing. Of the two meanings associated with the adjective, the artist Jungki Beak abandons the meaning that is usually paired with the term ‘sweet rain’ and decides to go for the other meaning. In other words, he reorganizes the relationship between the signifier and signified and replaces the abstract with the sensory in ‘sweet rain’. Viewers are likely to at least chuckle at the somewhat goofy idea of interpreting ‘sweet rain’ literally. At the same time, they are likely to have imagined at least once in their lifetime a sweet taste when they heard the word ‘sweet rain’. These viewers will delight in experiencing in reality what had only been imagined. In fact, I am sure that Sweet Rain will serve as a tonic and a remedy for the mind that is as pleasant and therapeutic as the sweet rain is after a drought.